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by Horace J. Digby
Needing comfort and a bowl of soup, I stopped by the restaurant at
Longview, Washington's Rutherglen Mansion. Apparently recognizing me
as a humor columnist, explorer and man of mystery, my server promptly
began telling a story. It was a ghost story . . .
"I was working alone, late one night, clearing tables in the main
dining room," she told me. "Then I saw an elderly man out of the
corner of my eye. He was standing, all hunched over," she recalled,
"Then he was gone."
"I told myself, 'Don't do this to yourself, there's nothing
there.' And I forced myself back to work. But then I saw him
again. He moved past me. Just six feet away."
"I screamed, and ran out of the building." Her voice was ragged
and her gestures urgent. "I didn't come back that night," she said,
finishing her story.
The server was looking at me, wide-eyed, as if to ask, "Well, what do
you think?"
"I think I'll have the soup," I said.
It all began when Southwest Washington Paranormal Research (SWPR), a
ghost hunting organization with members up and down the lower Columbia
River, invited me to witness their investigations of the Klondike
Restaurant (and Columbia Hotel) in St. Helens, Oregon, and the
Rutherglen Mansion in Longview, Washington.
Doug York, a producer and playwright from Mt. Shasta, California came
along for the ride. It was near midnight when we arrived in St.
Helens. The Klondike was shrouded in fog. It was dark,
foreboding and appeared to be deserted. What a fitting scene for
paranormal research. Stephen King and Tananarive Due would have
loved it.
I made my way through the fog, eventually gaining access to the
restaurant. It made me edgy. Once inside, creaking floors,
drafty corridors and many shades of darkness took their toll.
Luckily York was with me . . . Doug? . . . The rooms on the upper floors—what had been the old hotel—were
stripped bare for renovation. They looked like crypts picked clean
by over-eager grave robbers. Shadows were moving around us.
Some of these shadows were carrying flashlights. Others had cameras,
HS26 temperature gages, electromagnetic field sensors, Raytek
Minitemp thermal scanners, walkie talkies with ear buds in place for
emergency communication, and other exotic equipment. The shadows
were, I hoped, the members of SWPR, moving silently from room to
room, taking care of business.
One of the shadows was named Jennifer Fuller. York and I found
her in the last room on the second floor, meditating. Fuller was
hoping for contact with ethereal world beyond ours. It turns out she
is a channeler who serves as a path for communication with the spirit
world, although not necessarily in a verbal sense.
Fuller's brushes with the ether often take the form of
impressions, sometimes visions of past persons or
events, sometimes emotions or physical sensations.
"If something painful happens, I'll pick that up . . ." Fuller
told me.
At times Fuller takes on "characteristics" of the spirits she
channels. "Some folks handle this better than others. Some
people don't like to be around me when I channel," Fuller said in a
pinched but happy soto little girl's voice. Always an empath, Fuller had her first experience with
channeling at age eighteen.
I wondered aloud if channeling didn't frighten Fuller, just a
little. "What scares me more," she said, "are the people that are alive, not
the ones that have already gone."
"How did you get into channeling," I asked.
"I didn't," she said. "It more or less got into me."
In the next room we found Kimberlie Travis, co-chairperson of
SWPR. She gave us a brief tour of the site, and then told us the
story that had brought SWPR to the Klondike in the first
place.
A local police officer on a late-night patrol saw a man on the
front steps of the Klondike. The officer stopped and the man asked
him, "Is it wet enough for you? . . ." then
disappeared.
"Lots of things scare me," Travis said, admitting to be a serious
paranormal investigator who is "basically afraid of the
dark." But her most frightening experience was a few years
earlier at Rutherglen. Doing investigation in one of the guest
rooms, Travis announced, "If there's anything here, come on
we're getting bored. Just come out and show
yourself." At that moment a small unframed painting flew
across the room knocking over a large, very heavy potted plant.
Travis did what her training couldn't prevent. She screamed.
Then she and another researcher tried to reconstruct the event.
There was just no way that small picture could knock over that plant
without some external force behind it.
York and I headed down the dark, empty second floor hall of the old
Columbia Hotel. In another room we met Dezi Coss who was operating a
high-end Fostex audio recorder, "sensitive enough to record
conversations on other floors," she said.
Coss played an earlier recording for us. It sounded like random
noise until she played it backwards. Then it revealed a ghostly
human-like voice.
I tried to record this "Electronic Voice Phenomena," as Coss called
it, using a digital pocket recorder that I'd used on two continents and in
six foreign countries. It had never failed me before, but this time
my recorder only captures crackling sounds, like the rattle of distant
gunfire. There was no such sound in the room. What had my
machine actually recorded?
The paranormal researchers of SWPR are direct and serious. Many
have day-jobs in scientific and other professions. Amanda Jones is a
Paralegal from St. Helens, Oregon. Jennifer Fuller works as a
Veterinary Technician in Orchards, Washington. Kimberlie Travis
is a Patient Access Representative for a Cardiovascular Care unit in
Longview, Washington. They bring these skills to their
paranormal research. As York later observed, "These are scientists actually looking for
evidence. They have it well organized. They use high-end
equipment. This is very sophisticated
stuff." But they have a sense of humor too.
Travis was describing her work in cardiac care, "People with serious
chest pains come to see me."
As she finished, another researcher added, "If they don't make it, we
go to see them."
A few weeks later York and I headed to Rutherglen, to see SWPR
in action a second time. Film maker Gregg Campbell and retired
restaurateur Roland Richards, both members of the SandBagger
Institute for Advanced Human Research and Bowling team, joined the renewed
adventure.
Richards devoted his research to Rutherglen's "library" on the main
floor. After some serious study he concluded: "At my age, most
women don't think I'm lively enough to be interesting . . . I
thought I might have a chance with these ghost hunters, who are mostly
lovely young women. But it turns out they are looking for guys who
are a lot less lively than me."
We had to leave Rutherglen, but SWPR members stayed the night
continuing their research.
SWPR has recently contributed articles to The Encyclopedia
of Haunted Places, published by New Page Books, and participated in
the first-ever Rose City Paranormal Conference, during the fall of 2005,
in Portland, Oregon. They maintain a website at: http://www.swpr.org.
-- Horace J. Digby --
Winner of the Robert Benchley Society Award for Humor
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